item3f1 item3f2 item3f1a item3f1a2
Scotland’s Transatlantic Poetry Magazine
item3f1a1
item3f1d item3f1b item3f1c item3f1a2a
Scotland’s Transatlantic Poetry Magazine HorseLogoGif

Featured Poem


Robert Nye


Gone Now


Six weeks since I saw them cut

The grass. As I write these words

The sun comes out for the first time

Where we were. Six weeks since

I saw them cut the grass.


There was a man and a woman

With the shears. I saw them work

In silence but together

As I went past. There was a man

And a woman with the shears.


As I write these words the sun comes out

For the first time. They are gone now

And the grass grows again

Where we were. As I write these words

The sun comes out for the first time.


I saw them work in silence

But together. As I went past

A man and a woman cut

The grass. I saw them work

In silence but together.


They are gone now, the man

And the woman. I saw them cut

The grass that has grown again

Where we were. They are gone now,

The man and the woman.

 

First published in The Dark Horse 28, Winter / Spring 2012.

This intriguing and, to me, obscurely touching poem is an example of what can be done in the plainest language with the deft use of repetitions—and how poetry often communicates before it is understood. In the manner of one of the repeating forms, say, triolet or villanelle, the poet repeats the first sentence in every stanza as the last, but fascinatingly varies the tone by enjambing the repetition differently from when the sentence first occurs at the opening of the stanza. The sentences are inlaid into the stanzas like marquetry. The enigmatic ‘man and woman’ appear predominantly in the past tense, in contrast with the narrator in the act of writing, and the organic elements, the grass and the sun, which are in the present.In this context the poem’s title, too, forms a paradoxical contrasting combination of past and present in its commonplace phrase. The poem has an elegaic cast though it remains, certainly to this reader, finally mysterious. It is worth pointing out that the opening stanza consists entirely of monosyllables and, indeed the poem is generally monosyllabic, with the exception of three di-syllables, ‘woman,’ ‘silence’, and ‘again’, and one tri-syllable, ‘together’.

—Gerry Cambridge

Featured Poem archive
Featured Poem archive